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- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- The Politics of English Studies in IndiaEssay1 June 2013
- The Impact of LiteratureEssay1 November 2013
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Christina Stead’s Student PublicationsEssay7 December 2016
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016