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- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992
- Annual Bibliography of Studies in Australian Literature: 1993Essay1 May 1994
- Annual Bibliography of Studies in Australian Literature: 1994Essay1 May 1995
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Annual Bibliography of Studies in Australian Literature: 2003Essay1 May 2004
- Annual Bibliography of Studies in Australian Literature : 2004Essay1 May 2005
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024