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- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Charles Rowcroft: An Unpublished MemoirEssay1 October 1967
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Review of *Henry Lawson, Letters 1890-1922* edited by Colin RoderickReview1 May 1971
- The Imagination of John Shaw NeilsonEssay1 May 1971
- Further Evidence in the Early Use of ‘bushranger’Essay1 May 1972
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981
- From Ballarat to Bendigo with Mark TwainEssay1 May 1985
- Editors’ Statements [Craig Munro]Essay1 October 1981
- Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. WilkesReview1 May 1982
- Review of *Christopher Brennan: A Critical Biography* by Axel ClarkReview1 May 1982