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- An Interview with Christopher KochEssay1 May 1997
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Recent Australian Autobiography: A Review EssayEssay1 October 1992
- Littoral Erosion: The Changing Shoreline of Australian CultureEssay1 May 1996
- Intricate Knots and Vast Cosmologies: The Poetry of Judith BeveridgeEssay1 May 2000
- John Foulcher’s DemocracyEssay1 October 1999
- My Brilliant Career and RadicalismEssay1 October 2002
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013
- English Studies: A Personal JourneyEssay1 June 2013
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016