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- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian WhitlockReview1 October 2000
- Review of *Timepieces*, by Drusilla ModjeskaReview1 May 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia MartinReview1 May 2007
- Review of *Mudrooroo: A Likely Story*, by Maureen ClarkReview1 November 2008
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry HeseltineReview1 October 2010
- Review of *Republics of Letters: Literary Communities in Australia*, edited by Peter Kirkpatrick and Robert DixonReview1 November 2012
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Towards the Source of ‘The Wanderer’Essay1 October 1979