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- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Rosa Praed’s Colonial HeroinesEssay1 May 1981
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989
- Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*Essay1 October 1997
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Recent Australian Autobiography: A Review EssayEssay1 October 1992
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Annual Bibliography of Studies in Australian Literature : 1965Essay1 June 1966
- Annual Bibliography of Studies in Australian Literature : 1969Essay1 May 1970
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016