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The Company She Keeps: Demidenko and Imposture in Autobiography

Not Reading the Nation: Australian Readers of the 1890s

Professing the Popular: Political Fiction circa 2006

The Telling of Marmel’s Story

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Minding Elephants and the Rhetorics of Destruction

Disciplined Action? The Challenges of English at Canterbury and Beyond

The Impact of Literature

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Challenging the Editing of the Rachel Henning Letters

Perceptions of the Enemy in Australian War Literature

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart