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‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Review of *The Lyre in the Pawnshop: Essays on Literature and Survival 1974-1984* by Fay Zwicky; and *The Uncertain Self: Essays in Australian Literature and Criticism* by Harry Heseltine

Review of *Gwen Harwood* ed. Robert Sellick; and *Reading Australian Poetry* by Andrew Taylor

David Foster

Review of *James McAuley: Poetry, Essays and Personal Commentary* ed. Leonie Kramer, *Poetry and Gender: Statements and Essays in Australian Women's Poetry and Poetics* ed. David Brooks and Brenda Walker, and *A Question of Commitment: Australian Literature in the Twenty Years after the War* by Susan McKernan

Narcotic Entanglements: Recent Works of Australian Literary Criticism

Review of *The Recollections of Geoffry Hamlyn*, *Maurice Guest*, and *The Journal of Annie Baxter Dawbin: July 1858 - May 1868*

At a Distance

The Origin of ‘The Settler’s Lament’

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Sentimental Jonah’s Heart of Stone

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Review of *Critical Essays on Kenneth Slessor* Selected and with an Introductory Essay by A.K. Thomson

After *925*

Charles Harpur and the Myth of Origins

Some Correspondence with Joan Lindsay