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Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Beyond Capricornia: Ambiguous Promise in Alexis Wright

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Delight and Revolution: Literary Studies, Aesthetics and Ideology

English Studies at the University of New England: A Report from the Field.

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Grievous Music: Randolph Stow’s Middle Ages

In the Club: Australian Crime Fiction in the USA 1943-1954

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Christina Stead’s Student Publications

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

On Not Having Sex: Sumner Locke Elliott and Queer History