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Letter to the Editor

Reading English

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

Daemonic Currents in Dorothy Porter’s Poetry

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Facey’s A Fortunate Life and Traditional Oral Narratives

Bruce Dawe and the Americans

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

Some Recent Australian Plays, and Problems of Their Criticism

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel