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- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970
- Review of *Literary Australia* by Clement Semmler and Derek WhitelockReview1 June 1967
- Historiography in Melbourne in the Eighteen Seventies and EightiesEssay1 October 1969
- The Sources of *His Natural Life*Essay1 October 1969
- A Checklist of Kenneth Mackenzie’s WorksEssay1 October 1970
- Short NoticesReview1 May 1970
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Notes on A.D. Hope: A Bibliography (1968)Essay1 May 1971
- Annual Bibliography of Studies in Australian Literature: 1981Essay1 May 1982
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982
- Imitations and Versions of Russian Poetry: The Record of an ExperimentEssay1 May 1983
- Review of *Miles Franklin: Her Brilliant Career* by Colin RoderickReview1 May 1983
- [Statement]Essay1 October 1985