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- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- An Absence of PartisanshipReview1 May 1997
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Friendship in a Time of LonelinessEssay1 May 2009
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981