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Bibliographic Notes on Selected Irish-Australian Writers

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Patrick White’s Studies for *Voss*

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

A Versatile Career: Ruth Park’s Novels in the American Marketplace

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Official Criticism? Critical Practices and Australian Poetry

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

The Drowned World of Kenneth Slessor

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

‘But who considers woman day by day?’: Australian Women Poets and World War I

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

**Contingencies of Meaning Making: English Teaching and Literary Sociability**