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‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Teaching the Value of Literature (and Other Paradoxes)

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Australian Letters and Postwar Modernity

Walter Murdoch : ‘A Humble Protest’?

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

The Fortunate Flâneuse

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

The Surrender to Truth in The Early Australian Novel

Folksong - A Protest

Slessor’s ‘Five Visions of Captain Cook’

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

Shirley Hazzard: Transit and *The Bay of Noon*

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Urban Influence on Australian Literature in the Late Nineteenth Century