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- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Les Murray: A Selective ChecklistEssay1 October 2001
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Review of Martin Boyd, by Brenda NiallReview1 October 1979
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- The Short Stories of Judith WrightEssay1 June 1963