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- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- The Telling of Marmel’s StoryEssay1 June 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Reading EnglishEssay1 June 2013
- Reading DickensEssay1 October 2014
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Since 1964 ...Essay30 May 2015
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Review of *Letters of Mary Gilmore*, selected and edited by W.H. Wilde and T. Inglis MooreReview1 May 1981