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- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Counter-PoeticsEssay1 June 2011
- Reading EnglishEssay1 June 2013
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- The Impact of LiteratureEssay1 November 2013
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- H. G. Wells in AustraliaEssay30 May 1990
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017