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- Australian Prose Literature of the First World War : A SurveyEssay1 October 1971
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Reading (in/and) *Miranda*Essay1 May 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015