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- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- The Values of *Critique*Essay30 October 2023
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Review of *Australian Literature a Reference Guide*, comp. Fred Lock and Alan LawsonReview1 October 1980
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024