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- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- The New Dreamtime : Kath Walker in Australian LiteratureEssay1 May 1973
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- An Interview with Thomas ShapcottEssay1 May 1997
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018