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Authors’ Statements [Shirley Hazzard]

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

The Fortunate Flâneuse

*The Sentimental Bloke* and His Critics

The Surrender to Truth in The Early Australian Novel

Xavier Herbert: *Capricornia*

Australian Prose Literature of the First World War : A Survey

The Usable Past: Australian War Fiction of the 1950s

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Marcus Clarke: ‘Christianity is Dead’

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

Research in Progress in Australian Literature [1979]