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- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- What is Australian Popular Fiction?Essay3 December 2018
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- Interview with Randolph StowEssay1 May 1982
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Thomas Keneally: A ChecklistEssay1 May 1979
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012