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- SonnetEssay1 May 1988
- The Historical Source for Ada Cambridge’s ‘The Camp’Essay1 May 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Review of *Liars: Australian New Novelists*, by Helen DanielReview1 October 1989
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Gaeldom and the Western DistrictEssay1 October 1993
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Review of *Stressing tile Modern: Cultural Politics in Australian Women's Poetry*, by Ann VickeryReview1 May 2009
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- Review of *An Introduction to Australian Literature*, edited by C. D. NarasimhaiahReview1 December 1966
- The English Publication of *His Natural Life*Essay1 October 1982
- Mona Brand: A Checklist, 1935-1980Essay1 May 1981