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- Christina Stead’s Student PublicationsEssay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Australian Literature: A Preliminary Subject ChecklistEssay1 October 1984
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000