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Terms of Ambivalence: Cultural Politics and Symbolic Exchange

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Havelock Ellis’s Australian Idyll

Slessor’s ‘Five Visions of Captain Cook’

David Campbell’s Poetic Mind

Shirley Hazzard: Transit and *The Bay of Noon*

Olivia and Chloe: Fictions of Female Friendship

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Italian Immigrants in Australian Fiction 1900-1950

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Neither Here Nor There: Suburban Voices in Australian Poetry

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

In His Own Sweet Time: Carmen’s Coming Out

Reading Kate Llewellyn’s Garden(Books)