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- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Annual Bibliography of Studies in Australian Literature: 2007Essay1 October 2008
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- David Campbell’s Poetic MindEssay1 October 1984
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993