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- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016