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Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Last Flight to Byzantium: *Memoirs of Many in One*

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

Amanda Lohrey's *Vertigo*: An Australian Pastoral

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

Review of *Suburban Space, The Novel and Australian Modernity* by Brigid Rooney

Review of *Along the Faultlines: Sex, Race and Nation in Australian Women's Writing, 1880s-1930s* by Susan Sheridan, and *Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914* by Robert Dixon

Edgy Laughter: Women and Australian Humour

English Heritage and Australian Culture: The Church and Literature of England in *Oscar and Lucinda*

An Interview with Vivian Smith

Review of *Transcultural Ecocriticism: Global, Romantic and Decolonial Perspectives*, edited by Stuart Cooke and Peter Denney.

Review of *Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene* by Kathrin Bartha-Mitchell

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Brunton Stephens as Literary Critic

The Writing of Capricornia

Translating for the Australian Stage (A Personal Viewpoint)

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

How to Use a Street Directory: Detail and Knowledge in the Work of Alan Wearne