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- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Alan SeymourEssay1 May 1974
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991