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The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Towards a History of Literary Programming on ABC Radio

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

Challenging the Editing of the Rachel Henning Letters

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Colonial Violence and Forgotten Fiction