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The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Ern Malley and His Rivals

My Brilliant Career and 1890s Goulburn

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Salt Scars: John Kinsella’s Wheatbelt

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

An R.H. Horne Poem on Burke and Wills

Annual Bibliography of Studies in Australian Literature : 1963