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- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?Essay1 October 1982
- From Ballarat to Bendigo with Mark TwainEssay1 May 1985
- Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*Essay1 May 1982
- Review of *Christopher Brennan*, ed. with introduction and notes by Terry SturmReview1 May 1985
- Texts and Contexts of the Availability and Editing of Australian TextsEssay1 May 1986