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Authors’ Statements [Christina Stead]

Review of *Securing the Past: Conservation in Art, Architecture and Literature*, by Paul Eggert

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Since 1964 ...

Literary Composition on Board a Convict Ship : The ‘Pestonjee Bomanjee Journal’

Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?

Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie Hergenhan

Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Texts and Contexts of the Availability and Editing of Australian Texts

The Public Image of John Shaw Neilson

Shirley Hazzard : Dislocation and Continuity

Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral Lansbury

Review of *From Deserts the Prophets Come: The Creative Spirits in Australia* by Geoffrey Serle

D. H. Lawrence in Australia: Some Recently Published Letters

Art, Life and Authority in Australian Literary Culture: Marr and White

Ada Cambridge and the First *Thirty Years*

Looking Beyond the Subject: Some Recent Biographies

‘The Critics Made Me’: The Receptions of Thomas Keneally and Australian Literary Culture

Edgy Laughter: Women and Australian Humour

The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*