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- Tasma’s First PublicationEssay1 May 1992
- *My Brilliant Career* and FeminismEssay1 October 2002
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Authors’ Statements [Christina Stead]Essay1 October 1981
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Short NoticesReview1 May 1977
- John Greenway and the Aborigines: A RejoinderEssay1 December 1966
- Anna Maria Murray, Authoress of *The Guardian*Essay1 October 1967
- Australian Poetry of the First World War: A SurveyEssay1 May 1970
- Ocean of StoryEssay1 October 1981
- Editors’ Statements [Stephen Murray-Smith]Essay1 October 1981
- Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*Essay1 May 1982
- [Keeping Up Appearances]Essay1 October 1982
- The Public Image of John Shaw NeilsonEssay1 May 1986
- C. Hartley Grattan RememberedEssay1 May 1996
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967