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Introduction

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

An Interview with Archie Weller

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

The Modernist Sacred: Randolph Stow and Patrick White

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Disciplined Action? The Challenges of English at Canterbury and Beyond

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Repetition and Christina Stead’s *The Man Who Loved Children*

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

William Hay and History : A Comment on Aims, Sources and Method

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah Galletly

‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

My Brilliant Career and Radicalism

Indigenous Sovereignty in the Poetry of Romaine Moreton

Justice, Sacrifice and the Mother’s Poem

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Shaw Neilson’s Poetry

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction