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Review of *Rainforest Narratives: The Work of Janette Turner Hospital*, by David Callahan

Further Evidence in the Early Use of ‘bushranger’

Checklist of Significant Historical Books and Articles, 1965-1985 on Australia’s Involvements in War

Review of *The Australian Short Story: An Anthology from the 1890s to the 1980s*; *The Australian Short Story 1940-1980: A bibliography*; and *Lines of Implication: Australian Short Fiction from Lawson to Palmer*

Christina Stead’s ‘Drama of the Person’

Review of *Studies in the Recent Australian Novel' ed. K.G. Hamilton, *Patrick White: A Critical Symposium* eds. R. Shepherd and K. Singh, and *The Peacocks and the Bourgeoisie: Ironic Vision in Patrick White's Shorter Fiction* by David Myers

Review of *Christina Stead: A Biography*, by Hazel Rowley

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Review of *List of Australian Writers 1788-1992*, comp. by John Arnold, and *The Oxford Companion to Australian Literature*, by William H. Wilde, Joy Hooton, and Barry Andrews

Australian Literary Lives

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Place, History and Story: Tony Birch and the Yarra River

Annual Bibliography of Studies in Australian Literature : 1969

Annual Bibliography of Studies in Australian Literature: 1974

Treating Dora in *His Natural Life*

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet