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- Helen Garner’s EducationEssay28 October 2021
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Patrick White’s Novels and NietzscheEssay1 May 1980
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Reading Carey Reading MalleyEssay1 October 2004
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- Review of *Australian Poets* seriesReview1 December 1964
- Review of *The Australian Tradition*, Second Revised Edition, by A.A. PhillipsReview1 October 1967
- Editors’ Statements [C.B. Christesen]Essay1 October 1981
- Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric IrvinReview1 May 1983
- After *925*Essay1 May 1986
- The Historical Source for Ada Cambridge’s ‘The Camp’Essay1 May 1989
- Review of *Images of Society and Nature, Seven Essays on Australian Novels* by Brian KiernanReview1 May 1972
- PreoccupationsEssay1 May 1990
- Gaeldom and the Western DistrictEssay1 October 1993
- Review of *Kenneth Slessor*, by Adrian Caesar, and *Kenneth Slessor: Collected Poems*, edited by Dennis Haskell and Geoffrey DuttonReview1 May 1996