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- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah GalletlyReview5 July 2019
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- My Brilliant Career and RadicalismEssay1 October 2002
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Justice, Sacrifice and the Mother’s PoemEssay1 October 2001
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Shaw Neilson’s PoetryEssay1 December 1966
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Review of *Social Patterns in Australian Literature* by T. Inglis MooreReview1 May 1972
- The Public Image of John Shaw NeilsonEssay1 May 1986
- Review of *A History of Australian Literature, vol 1 1789-1923, vol. 2 1923-1950* by H.M. Green, rev. Dorothy Green; and *A History of Australian Literature* by Ken GoodwinReview1 October 1986
- Art, Life and Authority in Australian Literary Culture: Marr and WhiteEssay1 October 1992