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- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012