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A Survey

Thoughts on Some Recent Poetry

The One-Actor Play in Australian Drama

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Michael Wilding’s Three Centres of Value

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

About Face: Asian-Australians at Home

Veronica Brady’s Biography of Judith Wright

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Beyond Capricornia: Ambiguous Promise in Alexis Wright

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Picturising Patois in *The Sentimental Bloke*

Displaced Homelands in Gerald Murnane’s *Inland*

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

A Versatile Career: Ruth Park’s Novels in the American Marketplace