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- Some Mary Gilmore LettersEssay1 October 1972
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- An Interview with Archie WellerEssay1 October 1993
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia MartinReview19 December 2019
- [Keeping Up Appearances]Essay1 October 1982
- A Link with Late Nineteenth-Century Decadence in ‘Maurice Guest’Essay1 October 1972
- Review *John Shaw Neilson* by Hugh Anderson and L.J. BlakeReview1 May 1973
- Looking Beyond the Subject: Some Recent BiographiesReview1 May 1995
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- The Writing of CapricorniaEssay1 May 1970
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993