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- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008