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Why Australia? Or Against the Fragmentation of English Literary Studies

Letter to the Editor

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

What is Australian Popular Fiction?

At the Edge: Geography and the Imagination in the Work of David Malouf

Charles Harpur and the Myth of Origins

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

Thomas Keneally: A Checklist

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Jack Lindsay and MI5: More than Surveillance

Joseph Furphy, Jacobean

Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichhardt

Adam McCay and Sydney’s Literary Bohemia (1911-1947)

Here Beyond My Knowing

A Checklist of Black Australian Literature