Archive 2016

Introduction

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s Seven Poor Men of Sydney

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of Cotters’ England

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and I’m Dying Laughing

Christina Stead’s Earliest Publications

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

Christina Stead’s Student Publications

Politics and Passion in Stead’s Late Novels

The Children’s Chorus: Sibling Soundscapes in The Man Who Loved Children