Archive 2014

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s La Chanson d’Éve

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

Review of Entangled Subjects: Indigenous/Australian Cross-Cultures of Talk, Text, and Modernity, by Michele Grossman

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and Literature

Composing Rayuela: The Musical Element in Julio Corrazar’s Narrative

Review of J. M. Coetzee and the Limits of Cosmopolitanism, by Katherine Hallemeier

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky