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Christina Stead: A Checklist

A Reconsideration of Christina Stead at Work: Fact into Fiction

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Christina Stead

Review of *Christina Stead: A Life of Letters* by Chris Williams, *Christina Stead* by Diana Brydon, *Christina Stead* by Susan Sheridan, and *Christina Stead's Heroine: The Changing Sense of Decorum* by Kate Macomber Stern

Getting Started: The Emergence of Christina Stead’s Early Fiction

Introduction

Review of *The Magic Phrase: Critical Essays on Christina Stead* and *Christina Stead's Politics of Place*

Christina Stead’s ‘Drama of the Person’

Authors’ Statements [Christina Stead]

A Christina Stead Letter

Review of *Christina Stead: A Biography*, by Hazel Rowley

Politics and Passion in Stead’s Late Novels

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Christina Stead’s Earliest Publications