Your search for “stead’s” found 24 results

Introduction

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

A Pastoral Reading of Christina Stead’s *Cotters’ England*

Politics and Passion in Stead’s Late Novels

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Christina Stead’s Earliest Publications

Repetition and Christina Stead’s *The Man Who Loved Children*

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

Review of *The Cambridge Companion to the Australian Novel*, edited by Nicholas Birns and Louis Klee

Christina Stead’s ‘Drama of the Person’

Introduction: Why Pastoral?

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction