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Christina Stead: A Checklist

Christina Stead

Authors’ Statements [Christina Stead]

A Christina Stead Letter

Review of *Christina Stead* by R. G. Geering

Christina Stead’s ‘Drama of the Person’

Christina Stead’s Earliest Publications

Getting Started: The Emergence of Christina Stead’s Early Fiction

Introduction

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

A Pastoral Reading of Christina Stead’s *Cotters’ England*

A Reconsideration of Christina Stead at Work: Fact into Fiction

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Politics and Passion in Stead’s Late Novels

Review of *Christina Stead: A Life of Letters* by Chris Williams, *Christina Stead* by Diana Brydon, *Christina Stead* by Susan Sheridan, and *Christina Stead's Heroine: The Changing Sense of Decorum* by Kate Macomber Stern

Review of *The Magic Phrase: Critical Essays on Christina Stead* and *Christina Stead's Politics of Place*

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Ern Malley and Les Deliquescences D’adore Floupette

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind