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When ‘History Changes Who We Were’

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

Cultural Pathology: What Ern Malley Means

An Interview with Tim Winton

A Decade of Complaints

Simon During, Crisis Talk and the Legacies of the 1980s

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Tim Thorne

*Makar*

A Reconsideration of Christina Stead at Work: Fact into Fiction

Man, Work and Country: The Production of Henry Lawson

Review of *Antipodean Encounters: Australia and the German Literary Imagination 1754-1918* by Alan Corkhill, and *German Images in Australian Literature from the 1940s to the 1980s* by Irmtraud Petersson

Review of *The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry*, by David Brooks

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Fathers and Lovers: Three Australian Novels

Introduction: Why Pastoral?

‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*

‘Things are Cast Adrift’: Brian Castro’s Fiction