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- Means and Ends in WritingEssay1 October 1979
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- A Critical Review of Writings on The Vocabulary of Australian EnglishEssay1 December 1963
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012